Phantasia

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.

Lullaby for the Lost

A sleeping man’s fading memory of his late Mother unravels through a recurring, hypermnesic dream that reverberates and transforms throughout his life, tracing from his final dream back to his first.

Loop

Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop. Everything seems to be stuck in an endless loop...

Dogville

When a beautiful young Grace arrives in the isolated township of Dogville, the small community agrees to hide her from a gang of ruthless gangsters, and, in return, Grace agrees to do odd jobs for the townspeople.

Emergency: The Living Theatre

a 32-minute color film by Gwen Brown, featuring precious footage of Living Theatre productions “Mysteries” and smaller pieces, “Paradise Now” and “Frankenstein.” “The fusion of Brown’s freewheeling direct cinema and the Living Theatre’s performance for revolutionary change (amidst the heydays of both) unite as a dynamic concoction of the era, yielding for the viewer a shifting terrain of both critical insight and ecstatic zeal, not as a vacant nostalgia for a pre-commodified radicality, but as tactical inspiration for future days.” – Andrew Wilson (Artist’s Access Television)

CU: Farewell

The protagonist recalls her past while her daughter is going to leave her forever. Years ago, the protagonist came from a province to a big city to get rid of poverty. Marriage to a gangster didn’t make her happy. She fell in love with her husband’s accomplice and soon got pregnant. Murder seems the only solution to the lovers…

Speak To Me Of What I Know

Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.

Empty

Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.

4.48 Psychosis

An adaptation of the play "4.48 Psychosis" written by Sarah Kane. The movie consists of scenes that work as a fragmenteded voyage through the mind of a person on a deeply depressive state. Everything is shown in a raw and experimental manner to bring the feelings and emotions in the most pure form to screen.

TRAP by SEO IN GUK

Art is often an expression of rigorous focus. This story revolves around the internal pressures of the protagonist, and his attempt to escape his own mind and let out his imagination. An artist lives in a world they create, but sometimes fear can break us down.

Tama asobi

A man named Shiki has been sent to a company in Matsuyama. Since Shiki was famous as a baseball club member at a previous company, there is a story about baseball clubs in the company. Ken, who was a player in high school, participated without being reluctant, supported by his lover Michiko.

Aftersun

Summertime. In a camping, three little girls listen to an old mysterious story about a missing kid. They start to investigate.

Gadis Cantik di Bangku Taman

Nowhere Near

An experimental, non-narrative film exploring intimacy and the tension in a relationship between two people as they balance being physically removed and seeking contact, and how this intensifies the emotions they share. The film is exhibited through the lens of four different emotions: love, fear, joy and sadness. These are presented at face value without much explanation. The main focus is on their outward physical expression, both independently, and about one another, without the film having a clear temporal structure, rather presenting this relationship in a single instant and all at once.

Miss Orange

a lazy girl is depressed and confused of what to do next, after she realizes that she has grown up.

EGGspression

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?